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Narratives and notes

Notes, outlines, draft narratives and dialogue which appear to be autobiographical, with personal thoughts written as draft articles or essays

‘Ulzana's Raid’

Third draft screenplay for Carter de Haven-Robert Aldrich Production with some annotations and missing pages

'Night Moves'

(1) ‘An end of wishing’, First draft of screenplay 1973
(2) Dark Tower screenplay, first draft for Robert M Sherman Warner Bros, 12 February 1973
(3) 'Night Moves' Dark Tower production script, September 17, 1973
(4) Night Moves marketing programme, 1975

‘Damnation Alley’

(1) Screenplay for Twentieth Century Fox, May 12 1976, enclosing
(2) Call sheet, 22 July 1976 and
(3) Provenance of the screenplay which was bought by Brian Hoyle and gifted to the Archive, 2013

Terry E Miller, Ohio

(1) Letter from Miller to Gerard Sandeman, Edinburgh. Mentions enclosed photographs, gives some personal news and thanks Sandeman for his help and friendship,
(2) Includes six photographs of Barony Street Church

Cantor copy papers

Wikiepedia print out biography of Geoffrey Cantor, with copies of correspondence between Cantor and Helen Smailes, notes about the Edinburgh Church rolls and reprints of 'Missions , Interrupted: Scottish Anti-Missions and Propagating the Gospel at Home' and 'Why was Faraday excluded from the Sandemanians in 1844?'. Also email print out from Smailes to Michael Bolik, UoD Archives concerning members of the Glasites and potential collections

'The President's Child'

(1) Untitled Acts 1-IV [incomplete] screenplay, nd
(2) Screenplay 'based on the book by Fay Weldon' nd
(3) Memorandum of notes from Granada Television on Sharp’s script Acts I-IV, July 1991
(4) Memorandum of notes from Granada Television on Sharp’s second draft script, August 1991
(5) Draft outlines of Act One-Four and Act One- Seven

‘Above the mountain’

(1) First draft screenplay for Citadel Entertainment, April 1991
(2) [Fax?] rough draft on ‘Robeson notes’ sent from Judy Ranan to David R Ginsberg/Tom Patricia, July 24 1991, with relevant copies of the hearings by the Committee on Un-Amercian Activities
(3) [Fax?] from Judy Ranan to Alan Sharp of outline divided in to seven acts, 26 July 1991

‘Rob Roy’

(1) Fourth draft screenplay for United Artists Corporation Ltd, 16 June 1994, including revisions of 23 July 1994
(2) 7 marketing posters for the film featuring different scenes, 1996
(3) Marketing programme, 1995

‘A Blindman on a Galloping Horse’

(1) Chapters one and two, ‘The Sabbath Seige’ and ‘The War’
(2) Chapter contents and notes
(3) Volume titled ‘Don’t Cry It’s only a Picture Show’. Inside titled ‘A Blindman on a Galloping Horse a novel of childhood’, containing chapters one, 'Summer 1944' to chapter twenty

‘The beach of Falesa’

(1) Draft screenplay 'based on the novella by Robert Louis Stevenson', nd
(2) Draft screenplay 'based on the novella by Robert Louis Stevenson', nd
(3) Screenplay for Top Shelf Productions, Talisman Productions, 1997
(4) ‘Falesa. Draft notes’, nd
(5) ‘Falesa Alan’s Notes 30 March 2007 (Abridged by Philippa)’, 2007
(6) Folder of 7 x electronic docs, most titled ‘Final’, 2003, 2008 [all inaccessible]

‘Naples 44’

(1) Notes on how to approach the project, nd
(2) Draft screenplay 'based on the memoir by Norman Lewis', nd
(3) Incomplete 2nd draft screenplay, 15 September 1999

Letters to Alan Sharp

Personal letters to Alan Sharp from friends and family, including Beryl Bainbridge covering relationships, books, politics, health, everyday life, and visits
Results 76 to 100 of 86376