Set in 1923 and featuring Tom Mix (1) 'Tom Mix and Pancho Villa' screenplay, with sections highlighted, nd (2) 'Tom Mix and Pancho Villa' screenplay, 1994
(1) Fourth draft screenplay for United Artists Corporation Ltd, 16 June 1994, including revisions of 23 July 1994 (2) 7 marketing posters for the film featuring different scenes, 1996 (3) Marketing programme, 1995
(1-4) Draft ms screenplays with corrections, 'based on the novella by Robert Louis Stevenson', nd (5) Screenplay for Top Shelf Productions, Talisman Productions, 1997 (6) ‘Falesa. Draft notes’, nd (7) ‘Falesa Alan’s Notes 30 March 2007 (Abridged by Philippa)’, 2007 (8) Folder of 7 x electronic docs, most titled ‘Final’, 2003, 2008 [all inaccessible]
(1) Draft screenplay 'based on the writings of Richard Brautigan', nd (2) Copies [2] of draft pitch document for the ‘Brautigan project’ including Sharp's cv, nd
Pierre folder of 6 fdr documents brautigan.fdr and brautigan2.fdr JoeHill2012mar5.fdx marker2.fdr and marker2008.fdr revere.fdr, revere1.fdx, revereJan15.fdx, reverejan9.fdr
(1) Indexed notebook sparsely filled with character biographies and general notes (2) 'True Betrayal' ms screenplay, torn and loose pages. marked as 'continued'
(1) Draft screenplay by Sean Damer about the trial of Madeline Smith with accompanying letter, 2010 (2) Scenes in the City Chamber with accompanying letter outlining planned ending, nd (3) Letter from Damer responding to Sharp’s comments on the script, nd
(1) Chapters one and two, ‘The Sabbath Seige’ and ‘The War’ (2) Chapter contents and notes (3) Volume titled ‘Don’t Cry It’s only a Picture Show’. Inside titled ‘A Blindman on a Galloping Horse a novel of childhood’, containing chapters one, 'Summer 1944' to chapter twenty (4) Notebook, of 'Blind Man on a Galloping Horse and imagined biography', containing notes and treatments, nd
Autobiographical narratives of a holiday in Bude , drinking, flirting with Mrs Wilson, returning years later with Beryl Bainbridge and writing the play, ‘The Sound of the Sea’ [for ITV]. Also section labelled ‘women’ where Sharp describes his wives and lovers
