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‘Rob Roy’

(1) Fourth draft screenplay for United Artists Corporation Ltd, 16 June 1994, including revisions of 23 July 1994
(2) 7 marketing posters for the film featuring different scenes, 1996
(3) Marketing programme, 1995

‘A Blindman on a Galloping Horse’

(1) Chapters one and two, ‘The Sabbath Seige’ and ‘The War’
(2) Chapter contents and notes
(3) Volume titled ‘Don’t Cry It’s only a Picture Show’. Inside titled ‘A Blindman on a Galloping Horse a novel of childhood’, containing chapters one, 'Summer 1944' to chapter twenty

‘The beach of Falesa’

(1) Draft screenplay 'based on the novella by Robert Louis Stevenson', nd
(2) Draft screenplay 'based on the novella by Robert Louis Stevenson', nd
(3) Screenplay for Top Shelf Productions, Talisman Productions, 1997
(4) ‘Falesa. Draft notes’, nd
(5) ‘Falesa Alan’s Notes 30 March 2007 (Abridged by Philippa)’, 2007
(6) Folder of 7 x electronic docs, most titled ‘Final’, 2003, 2008 [all inaccessible]

‘Naples 44’

(1) Notes on how to approach the project, nd
(2) Draft screenplay 'based on the memoir by Norman Lewis', nd
(3) Incomplete 2nd draft screenplay, 15 September 1999

Letters to Alan Sharp

Personal letters to Alan Sharp from friends and family, including Beryl Bainbridge covering relationships, books, politics, health, everyday life, and visits

‘You can't catch death’

(1) Draft screenplay 'based on the writings of Richard Brautigan', nd
(2) Draft screenplay 'based on the writings of Richard and Ianthe Brautigan', nd
(3) Draft screenplay 'based on the writings of Ianthe and Richard Brautigan', nd
(4) Pages of draft screenplay 'based on the writings of Richard Brautigan and Ianthe Brautigan', nd
(5) Electronic documents: brautigan.fdr and brautigan2.fdr [inaccessible]

Boomerang project

Correspondence and related papers concerning the establishment of Boomerang, its licence and relationship with the Church, including Boomerang's constitution. Also papers relating to Boomerang's tenancy of the cafe at the Baxter Park Pavilion. Costs and accounts of the Boomerang Project, with outlie of groups using the centre.

Restoration projects

(1) Letters, costs accounts, snagging list and inspection reports, 2000-2007
(2) Summary of costs, timetable and correspondence, 2001-2004
(3) Restoration Fund bank statements, 2002-2010
(4) Trades invoices, 2005
(5) Fabric and services papers, 2006-2010
(6) Notes about the Church organ, nd

‘Dissolution’

(1) Draft outline and scenes, nd
(2) Untitled typescript screenplay, parts 1 and 2, nd
(3) Untitled draft screenplay [in 2 notebooks], nd
(4) ‘Dissolution’ draft screenplay 'from the novel by CS Sansam' (sic), nd
(5) Notes on motivation and plot, nd
(6) 60'_Dissolution_-_4th_draft_-_part_one.fdx [inaccessible]

‘Burning in Heaven’/ ‘Burns’ [working title]

(1) 'Burns' electronic folder: Burns Script draftvadim.fdr; burns
Script draftvadim.pdf ‘Burning in Heaven’ screenplay, 10 February 2004;
Burns.fdr;
burns.pdf 'Burns' screenplay, 28 July 2003;
BURNSJAN17.fdr;
BURNSJAN17.pdf ‘Burning in Heaven’ screenplay, 10 February 2004;
BURNSMAR09.fdr;
BURNSMAR09.pdf ‘Burning in Heaven’ screenplay, 10 February 2004;
BurnsOct09.fdr;
BurnsOct09.pdf ‘Burns’ screenplay, October 2009;
Vadim Notes.pdf Burns (working title) – Director’s Vison and Director’s Treatment of Sample Scenes by Vadim Jean, May 2005;
Vadim.doc Partial note to Vadim re requested changes, nd
(2) ‘Burns’ cast of characters, chronology, prologue, Clarina-Sylvander chronology and draft storyline, nd
(3) Burning in Heaven screenplay, 28 July 2003
(4) ‘Burns’ screenplay, 30 January 2004
(5) Untitled Burns screenplay [2004]
(6) 'Burns (working title) – Director’s Vison by Vadim Jean', May 2005
(7) Director’s Treatment of Sample Scenes for ‘Burns’, Vadim Jean [2 copies], 26 June 2005

The Swazi Club

Photographs, cuttings and notes charting the Mothers Union project aimed at improving the quality of life for orphans in Swaziland

‘Reversible Errors’

(1) Printed email from Scott Turow of notes on the teleplay, May 2003
(2) 'Reversible Errors (The First Night)...based on the novel by Scott Turow', second revision screenplay, 27 June 2003
(3) 'Reversible Errors (The Second Night)' screenplay, second draft, 27 June 2003
(4) Second revision, full pink locked for Mike Robe Productions, 19 September 2003

Professional correspondence

(1) Notebook of copy or draft letters by Sharp to Stevie Lee, Colin Beeby, Stephen Batt and others, nd
(2) Letter re accompanying letter requesting Sharp respond to the highlighted comments the radio play, ‘Tess of the D’Urbervilles’, 2001
(3) Letter from the BBC concerning tax on Sharp’s fee, 5 April 2002
(4) Letter from Patricia Kavanagh relating to Sharp’s novels, 17 May 2004
(5) Letters [4] from Susie Tarr about the development of the Tom Mix project, one noting that they mustn’t have Johnny Depp as ‘Tom’, 2004
(6) Email printout from Jon Eskenas confirming meeting with Bessie Pender, April 2007. Also copies of cuttings about Pender’s story, 1995-2002
(7) Letter from Phillipa relating thoughts of Toa about Alan’s treatment of a film about Island life and relationship with Traders, nd. Also Wikki printout about Kilikiti, Samoan cricket, April 2007
(8) 2 x email printouts relating to the property at Tighnabruaich, April 2007
(9) Email print out from Marilyn Milgrom concerning proposed project ‘Run but you Can’t Hide’, 2010
(10) Letter to Alan which accompanied an unknown draft screenplay, with draft letter on reverse by Sharp to Fiona/Don giving opinion of ‘Doubtful [Soud?], 2010
(11) Unsigned agreement between the New Zealand Film Commission and Alan Sharp, 2011
Results 176 to 200 of 86479