Artworks, papers and journals concerning the complete DATA project, including updated (2018) papers relating to the Smile Scone project. Areas arranged by the artist comprise: College, Correspondence etc, Post College, Smile Scone, Receipts, Journals (4 sections), Junk into Art: Art into Junk, Stenhouse, Dundee Group Artists Lts, Negatives [transferred to National Gallery of Modern Art, Edinburgh], Photographs, VHS Tapes, CDS and DVDS, Digital Tapes and Slides, Catalogue and Data Cell; Daily Action Time Archive, I Do Not Belong, I participate by Neil Mulholland
Material relating to the Women's Work project initiated and curated by Marshall Anderson involving six women artists from Scotland and six from Northern Ireland each working with a coffin. Includes various notes, correspondence, leaflets, information about artists and a cd with coffin images. Initiated by Marshall Anderson, the project was concluded by Dundee-based artist Lynne Nealon after Peter Haining went to live in Ireland.
DATA (Daily Action Time Archive) 1980-1989 catalogue, revised March 2019 by aitch and viktor kotun. Divided into five parts, the catalogue provides 'an account of DATA archived within Artpool, the Scottish Gallery of Modern Art & Dundee University Archives'. Also included are 'DATA installations': images of DATA installations at Belfast University, Cupar arts Festival, Rotterdam, Dundee, Glasgow and the Scottish National Gallery of Modern Art
Catalogue detailing all artworks/records created by Horobin for DATA (Daily Action Time Archive 1980-1989), annotated and altered after their relocation from the ATTIC ARCHIVE
Includes images of Pete Horobin, his friends, art projects, video generated images, satellite images and camping trips. Photographs have individual descriptions on their reverse.
Packs of 8 postcards featuring portraits of artists Barry Mitchell, Karen Strang, Philip Pilkington, Mark Pawson, Susan Young, Stefan Szczelkun, Jack Saunders and Chris Horobin
Includes general correspondence from this time and material relating to these two projects. The Accessibility of the Art Object, inspired by the idea that art should be fuelled by a sense of hazard and accident sought to make art accessible in terms of price and to all. The project included postcards (DUNUC ARTS 4382) and artwork sent to members of the public, badges, and products sold at a Christmas stall. Material includes a 1978 manifesto, a 1978 diary / journal of Horobin and slides of his work. VAP (Visual Arts Promotions) was a collaboration with Edinburgh artists (part of the Edinburgh Group). The material includes notes on the Edinburgh Group meetings, slides of VAP exhibitions and material relating to Horobin's Live performance in the Henderson Gallery.
Includes (1) boxed scone and (2) CD ROM of 20 digital photographs of various friends posing with the scone, 1984. Also (3) sheets [7] of Smile Scone portraits with notes providing of biographical updates, 2018
Material relating to Andy Stenhouse. Includes correspondence, information about artwork, objects (eg a piece of toast marked cell) and cassette tapes of poetry and performances at Lumsden.
