(1) Correspondence, minutes and statements concerning matters such as the Scottish Episcopal Church Unit Trust Pool, clergy vacancy, stipend and allowances and Diocesan quota, 1988-1997 (2) Correspondence and reports concerning matters such as the Scottish Episcopal Church Unit Trust Pool, the Cubs, Ministers' payments and executory, 1997-2007
Set in 1923 and featuring Tom Mix (1) 'Tom Mix and Pancho Villa' screenplay, with sections highlighted, nd (2) 'Tom Mix and Pancho Villa' screenplay, 1994
(1) Fourth draft screenplay for United Artists Corporation Ltd, 16 June 1994, including revisions of 23 July 1994 (2) 7 marketing posters for the film featuring different scenes, 1996 (3) Marketing programme, 1995
(1) photo of Caravan 21st Nov 1976 (2) photo of Caravan 21st Nov 1976 (3) photo of Mike Oldfield 13th Apr 1980 (4) photo of Mike Oldfield 13th Apr 1980 (5) photo of Peter Gabriel 27th Feb 1980
(1) Draft screenplay 'based on the writings of Richard Brautigan', nd (2) Copies [2] of draft pitch document for the ‘Brautigan project’ including Sharp's cv, nd
Pierre folder of 6 fdr documents brautigan.fdr and brautigan2.fdr JoeHill2012mar5.fdx marker2.fdr and marker2008.fdr revere.fdr, revere1.fdx, revereJan15.fdx, reverejan9.fdr
(1) Draft screenplay by Sean Damer about the trial of Madeline Smith with accompanying letter, 2010 (2) Scenes in the City Chamber with accompanying letter outlining planned ending, nd (3) Letter from Damer responding to Sharp’s comments on the script, nd
(1) Chapters one and two, ‘The Sabbath Seige’ and ‘The War’ (2) Chapter contents and notes (3) Volume titled ‘Don’t Cry It’s only a Picture Show’. Inside titled ‘A Blindman on a Galloping Horse a novel of childhood’, containing chapters one, 'Summer 1944' to chapter twenty (4) Notebook, of 'Blind Man on a Galloping Horse and imagined biography', containing notes and treatments, nd
(1) Personal and semi-professional letters to Ann from Alan Sharp with ms copy of 'Dean Spanley' script and script of 'Piano Movements', which Sharp sent to Ann with the idea of her producing one of them for New Zealand television, (2) Review of and background to the letters by George Andrews, 2022
(1) Notebook of copy or draft letters by Sharp to Stevie Lee, Colin Beeby, Stephen Batt and others, nd (2) Letter re accompanying letter requesting Sharp respond to the highlighted comments the radio play, ‘Tess of the D’Urbervilles’, 2001 (3) Letter from the BBC concerning tax on Sharp’s fee, 5 April 2002 (4) Letter from Patricia Kavanagh relating to Sharp’s novels, 17 May 2004 (5) Letters [4] from Susie Tarr about the development of the Tom Mix project, one noting that they mustn’t have Johnny Depp as ‘Tom’, 2004 (6) Email printout from Jon Eskenas confirming meeting with Bessie Pender, April 2007. Also copies of cuttings about Pender’s story, 1995-2002 (7) Letter from Phillipa relating thoughts of Toa about Alan’s treatment of a film about Island life and relationship with Traders, nd. Also Wikki printout about Kilikiti, Samoan cricket, April 2007 (8) 2 x email printouts relating to the property at Tighnabruaich, April 2007 (9) Email print out from Marilyn Milgrom concerning proposed project ‘Run but you Can’t Hide’, 2010 (10) Letter to Alan which accompanied an unknown draft screenplay, with draft letter on reverse by Sharp to Fiona/Don giving opinion of ‘Doubtful [Soud?], 2010 (11) Unsigned agreement between the New Zealand Film Commission and Alan Sharp, 2011
Letter to 'Matthew' from Sharp describing the difficulties caused by his brain tumour and how the consequence his lack of short term memory affects ‘our present project but also my whole future as a viable writer in my profession’
Maps: (1) Carte de la Saone de Saint-Jean-de Losne a Corre, 1954 (2) The inland waterways of France and 'showing the more important waterways of Belgium and Holland, 1959 (3) Carte de la Haute-Seine de Paris a Montereau, 1960 (4) Carte de la Saone de Lyon a Saint-Jean-de Losne, 1963 (5) Carte de la Seine de Paris a la Mer par le canal de Tancarville, 1964 (6) Carte de la Marne de son confluent a Epernay, 1964
Drawings by David Cox, many depicting sea and bi-planes, submarines and boats, as well as cowboys and trains. Also similar sketches in envelope marked 'WW1'
Caricatures and cartoons, mostly of people and many titled. Includes 'Real good catching', 'Those wartime weddings', 'Ascot day', and 'J Ernest Cox, JP'
